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Starring:
Viggo Mortenson
Elijah Wood
Sean Astin
Ian McKellen
Directed by:
Peter Jackson
Overall Crave Factor

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My unconditional love for the first part
of this series is a well-known fact, and Peter Jackson has crafted a
worthy partner for his epic masterpiece. THE TWO TOWERS is equal to
THE FELLOWSHIP OF THE RING in every way, and even exceeds it in
some.
The continued mastery with which Jackson wields his mighty
directorial sword, and orchestrates the incredible vastness of
Tolkein’s stories into a cohesive and endlessly exciting whole, is
more deserving of praise and award, than the last ten Best Director
Oscars combined. Creating these films has proved as great an
undertaking as it was for Tolkein to write them. Amazing detail is
held in every frame of film, flawless and without a single misstep.
The cast is just as perfectly suited as in the first chapter, and
the momentum of the story has shifted the focus from being mainly on
Frodo, to allow for a much closer look at the others. Merry, Pippin,
Legolas and Gimli are all much more developed here, and Aragorn
becomes the main focus of the entire film. Viggo Mortenson gives the
kind of powerful and charismatic performance that used to turn bit
players into superstars. Elijah Wood and Sean Astin supply enormous
heart to a complicated and plot heavy story, counterbalancing the
pure adrenaline of the Aragorn segments, and the light humor of the
Merry/Pippin material and gelling the entire film into a magnificent
thing of filmic beauty.
The special effects are unbelievable, and the recent release of
the FELLOWSHIP OF THE RING Extended DVD set gives a new insight into
the tremendous strides Jackson and WETA have made in the field.
After seeing the featurettes on the 4-Disc set, I was much more
appreciative of the magnitude of the effects. I sat through the
Helm’s Deep battle in the final third of the film and was
completely awed by the sound and vision employed in creating what
will stand as the most incredible battle scene in the history of
film. It literally turns your brain to mush and overloads every
single sense in your body, as if you had just been right in the
middle of the battle and had miraculously survived.
By two hours after the film, my mind had reformed itself and
begun to try and understand what it had just seen, and the
realization of how that sequence was brought to life with mere
computer software and creative innovation is astounding. It really
is one of those rare moments when you can not distinguish the film
from reality. You forget you are in a theatre seat, you forget your
name, some may forget that their bladders need to be controlled. It
is that good.
I am trying very hard to stay away from spoilers here, so I
won’t give away any plot points, but let me just say that this is
less a film than a religious experience, and Peter Jackson has
firmly cemented himself as one of, if not THE greatest director of
our time.
Now, if you’ll excuse me, I have to go change my pants and have
my eyeballs surgically reimplanted into my skull… |